Ethan Van Sciver
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Note moyenne : 7.74/10Nombre d'évaluations : 101
0 Citations 42 Commentaires sur ses livres
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Le mythe de Diana, princesse Amazone qui renonce à ses privilèges par amour et qui devient une super-héroine, on connaît tous. Mais une relecture plus contemporaine, servie par un graphisme époustouflant, mettant en avant le côté naïf et drôle du personnage est plutôt bienvenu dans un univers où les super-gentils ne le sont plus tout à fait. Rafraîchissant et surtout très beau.
( je continue à diminuer ma PAL : Sylvie 3 / PAL 0)
Afficher en entierUn bon tome dans l'ensemble avec de bon dessins le scénario est correct.
Afficher en entierUne situation de déjà vue, scénario plus que basic. Les dessins sont au top
Afficher en entierUn second tome avec une histoire moyenne en revanche de beaux dessins.
Afficher en entierEncore un tome moyen l'histoire a du mal a décollé.
Afficher en entierEncore une fois toujours pas a la hauteur le récit et moyen , les dessins sont au top.
Afficher en entierLe meilleur tome de la série pour l'instant même si l'histoire n'a rien d'exceptionnel .
Afficher en entierUn tome moyen qui conclue un run peu mémorable seule les dessins son a la hauteur.
Afficher en entierUn bon comics avec de beau dessins.
Afficher en entierUn bon tome un peu mieux que le 1er.
Afficher en entierLes gens aiment aussi
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Editeurs
Urban Comics : 18 livres
Panini comics : 3 livres
Hachette : 2 livres
Panini : 1 livre
Eaglemoss : 1 livre
Biographie
Ethan Daniel Van Sciver (born September 3, 1974)[2] is an American comic book artist, best known for illustrating a number of titles including Green Lantern, Superman/Batman, New X-Men, and The Flash: Rebirth.
Van Sciver was born in Utah, and grew up in southern New Jersey. He decided on a career in the comic book field after seeing Superman: The Movie as a child, but read comics "mostly just... for the pictures, until John Byrne's "Man of Steel" in 1986, the first time he really started reading the books.
He was involved in art in various forms before his comics work, speaking in 2005, he said:
All through high school I did all kinds of strange art jobs for money. I painted murals of Native Americans. I took a much envied job at the Cherry Hill Mall as a caricaturist. I had to wear a tuxedo, but I was 'Goth', so I also wore eye-makeup and a big clunky ankh around my neck, just under my bowtie. Because of that job, I did private parties where I'd basically show up at your Bar Mitzvah like a clown and draw all of your friends. That somehow led to a job where I illustrated about 12 children's books, which somehow led to a job where I designed bootleg Beavis and Butt-head neckties for some criminal Pakistani business, which led straight back to me doing airbrushed t-shirts that said 'Insane in the Membrane'.[1]
Van Sciver cites Chris Claremont and Jon Bogdanove's Fantastic Four vs. X-Men as a strong influence, telling a group of fans at Comic-Con International, "I'm trying in my own comics to recreate the feeling I got from that four-issue miniseries."
Van Sciver entered the comics 19 with what he called "a horrible little character called Cyberfrog", written and drawn by him and published by Hall of Heroes and, later, Harris Comics.[1] He has contributed to a number of series for Marvel Comics and, primarily, DC Comics. Titles include his own Cyberfrog and such titles as New X-Men, The Flash: Rebirth, Green Lantern, and Superman/Batman.
Van Sciver's first major work for DC Comics was on the series Impulse, with writer Todd Dezago. Van Sciver recalled that Paul Kupperberg offered him a fill-in role on the series, with the chance to try and save the title.
Many of Van Sciver's most notable works have been produced in collaboration with writer Geoff Johns. Van Sciver feels he may have had a "bad influence" on the writer, working with him early on on the superhero-horror one-shot The Flash: Iron Heights. The artist described his approach on the issue as "taking well-known, maybe well-worn superhero concepts, make them scary, make them upsetting in some way."
For Marvel, Van Sciver produced several issues of Grant Morrison's New X-Men, starting as a two-issues-per-year fill-in artist for regular series artist Frank Quitely.[3] Initially intending to also work on an X-Men miniseries with Johns while producing his small yearly commitment to Morrison's story, Van Sciver soon found himself asked to produce more and more issues, until a third 'regular' artist (Igor Kordey) was brought on board, and the Johns-penned miniseries was abandoned.
Van Sciver is fond of inserting hidden elements in some of his work, including the incorporation of the word "sex" onto almost every page of New X-Men #118.
In 2004, Johns and Van Sciver brought Hal Jordan back to the DC Universe as Earth's main Green Lantern officer in the six-issue miniseries Green Lantern: Rebirth, before the duo re-launched the Green Lantern title itself with a new volume. Van Sciver's work on the Green Lantern mythos helped explain and retcon many elements of the Green Lantern story which some fans and writers found nonsensical, such as the reasons of the power rings uselessness against the color yellow, and Hal Jordan's transformation into the supervillain Parallax.
In 2007, Johns, Van Sciver, Dave Gibbons and Ivan Reis produced the eleven-issue Sinestro Corps War across the two Green Lantern monthly titles, the second part of a mooted trilogy of Green Lantern tales. This story launched the Sinestro Corps, the antithesis of the Green Lantern Corps, led by rogue Green Lantern Sinestro and his Qwardian yellow power ring. The series set the stage for a complete overhaul of the Lantern Corps, and introduced the emotional spectrum of power which provides energy to many different color variations of power rings.
In 2008, Van Sciver was the guest artist on an issue of Justice League of America vol. 2, #20 (June 2008). Van Sciver's 2009 work includes the six-issue mini-series The Flash: Rebirth, and variant covers for the Green Lantern and DC Comics company crossover storyline The Blackest Night.
In the Fall of 2006 Ethan was contacted by Kip Winger and asked to pencil the cover art for Winger's fourth studio album. The cover art was sold as a poster called Guardian of Freedom.
Geoff Johns credits him with a meticulous and detail-oriented style that reflects the depth to which Van Sciver explores the mythology of his characters.
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