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« Elle repose là où la terre rejoint le ciel... »
Ruth Galloway, professeur d'archéologie à l'université, vit seule dans un coin isolé du Norfolk, à la lisière d'une zone marécageuse, proche de la mer. Le jour où l'inspecteur Harry Nelson découvre un squelette dans les marais, il fait appel à son avis d'experte. Alors qu'il espère avoir enfin retrouvé le corps de Lucy, une fillette disparue dans la région dix ans plus tôt, Ruth est catégorique : les ossements datent de l'âge de fer et proviennent très certainement d'une jeune fille victime d'un sacrifice. Mais bientôt, une autre enfant disparaît et d'étranges lettres anonymes laissent penser qu'il y a un lien entre elle, Lucy et la sacrifiée du marais. Peu à peu, Ruth se retrouve mêlée à l'enquête d'une façon beaucoup plus intime qu'elle ne le soupçonnait...
« Elle repose là où la terre rejoint le ciel... »
Ruth Galloway, professeur d'archéologie à l'université, vit seule dans un coin isolé du Norfolk, à la lisière d'une zone marécageuse, proche de la mer. Le jour où l'inspecteur Harry Nelson découvre un squelette dans les marais, il fait appel à son avis d'experte. Alors qu'il espère avoir enfin retrouvé le corps de Lucy, une fillette disparue dans la région dix ans plus tôt, Ruth est catégorique : les ossements datent de l'âge de fer et proviennent très certainement d'une jeune fille victime d'un sacrifice. Mais bientôt, une autre enfant disparaît et d'étranges lettres anonymes laissent penser qu'il y a un lien entre elle, Lucy et la sacrifiée du marais. Peu à peu, Ruth se retrouve mêlée à l'enquête d'une façon beaucoup plus intime qu'elle ne le soupçonnait...
Encore un os à ronger pour Ruth Galloway !
Un squelette d'enfant décapité est retrouvé sous la porte d'une vieille bâtisse victorienne à Norwich. S'agit-il d'un sacrifice datant de la période romaine ou de la dépouille d'un petit pensionnaire échappé de l'orphelinat qui occupait les lieux dans les années 1970 ? Experte en datation, l'archéologue Ruth Galloway rejoint l'équipe de l'inspecteur Harry Nelson, partenaire d'investigation – et parfois plus dans l'intimité. Tandis que Ruth remonte la piste du drame et croise le chemin de prêtres retraités, magnats de l'immobilier et druides chevelus, quelqu'un semble décidé à littéralement la faire mourir de peur...
Retour de l'universitaire la plus attachante du venteux Norfolk, intello nourrie aux chips, célibataire attendant un heureux événement, dans un thriller atmosphérique et mystique
à déguster impérativement avec une cup of tea !
source : éditions Presse de Cité
Encore un os à ronger pour Ruth Galloway !
Un squelette d'enfant décapité est retrouvé sous la porte d'une vieille bâtisse victorienne à Norwich. S'agit-il d'un sacrifice datant de la période romaine ou de la dépouille d'un petit pensionnaire échappé de l'orphelinat qui occupait les lieux dans les années 1970 ? Experte en datation, l'archéologue Ruth Galloway rejoint l'équipe de l'inspecteur Harry Nelson, partenaire d'investigation – et parfois plus dans l'intimité. Tandis que Ruth remonte la piste du drame et croise le chemin de prêtres retraités, magnats de l'immobilier et druides chevelus, quelqu'un semble décidé à littéralement la faire mourir de peur...
Retour de l'universitaire la plus attachante du venteux Norfolk, intello nourrie aux chips, célibataire attendant un heureux événement, dans un thriller atmosphérique et mystique
à déguster impérativement avec une cup of tea !
source : éditions Presse de Cité
Forensic archeologist Dr. Ruth Galloway is back, this time investigating a gruesome World War II war crime. Elly Griffiths’s Ruth Galloway novels have been praised as “highly atmospheric” (New York Times Book Review), “remarkable” (Richmond Times-Dispatch), and “gripping” (Louise Penny). Now the beloved forensic archeologist returns, called in to investigate when human bones surface on a remote Norfolk beach.
Just back from maternity leave, Ruth is finding it hard to juggle motherhood and work. The presence of DCI Harry Nelson—the married father of her daughter, Kate—does not help. The bones turn out to be about seventy years old, which leads Nelson and Ruth to the war years, a desperate time on this stretch of coastland. Home Guard veteran Archie Whitcliffe reveals the existence of a secret that the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?
Forensic archeologist Dr. Ruth Galloway is back, this time investigating a gruesome World War II war crime. Elly Griffiths’s Ruth Galloway novels have been praised as “highly atmospheric” (New York Times Book Review), “remarkable” (Richmond Times-Dispatch), and “gripping” (Louise Penny). Now the beloved forensic archeologist returns, called in to investigate when human bones surface on a remote Norfolk beach.
Just back from maternity leave, Ruth is finding it hard to juggle motherhood and work. The presence of DCI Harry Nelson—the married father of her daughter, Kate—does not help. The bones turn out to be about seventy years old, which leads Nelson and Ruth to the war years, a desperate time on this stretch of coastland. Home Guard veteran Archie Whitcliffe reveals the existence of a secret that the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?
When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables.
These two deaths could be from natural causes, but once again Ruth and DCI Harry Nelson cross paths during the investigation. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of “The Dreaming” hold the answers to these deaths, as well as the keys to their own survival.
When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables.
These two deaths could be from natural causes, but once again Ruth and DCI Harry Nelson cross paths during the investigation. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of “The Dreaming” hold the answers to these deaths, as well as the keys to their own survival.
It is three days before Christmas and a bitter wind is blowing across Norfolk.
Until her daughter was born, forensic archaeologist Ruth Galloway didn’t do Christmas, but now that Kate is a year old, she wants it to be special.
She must get a tree, shop for food, clean the house, buy presents, including one for her new boyfriend—who she isn’t even sure is her boyfriend—and remember to get the turkey out of the freezer.
But time is rushing by and the best-laid plans don’t always work out …
It is three days before Christmas and a bitter wind is blowing across Norfolk.
Until her daughter was born, forensic archaeologist Ruth Galloway didn’t do Christmas, but now that Kate is a year old, she wants it to be special.
She must get a tree, shop for food, clean the house, buy presents, including one for her new boyfriend—who she isn’t even sure is her boyfriend—and remember to get the turkey out of the freezer.
But time is rushing by and the best-laid plans don’t always work out …
Forensic archeologist Ruth Galloway investigates a heart-stopping an old university friend and fellow archeologist murdered in an arson attack.
When Ruth Galloway learns that her old university friend Dan Golding has died in a house fire, she is shocked and saddened. But when she receives a letter that Dan had written just before he died, her sadness turns to suspicion.The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life.
Was Dan’s death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. When she arrives in Lancashire, Ruth discovers that the bones reveal a shocking fact about King Arthur—and that the bones have mysteriously vanished.
The case draws in DCI Nelson, determined to protect Ruth and their eighteen-month-old daughter, Kate. But someone is willing to kill to keep the bones a secret, and it is beginning to look as if no one is safe.
Forensic archeologist Ruth Galloway investigates a heart-stopping an old university friend and fellow archeologist murdered in an arson attack.
When Ruth Galloway learns that her old university friend Dan Golding has died in a house fire, she is shocked and saddened. But when she receives a letter that Dan had written just before he died, her sadness turns to suspicion.The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life.
Was Dan’s death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. When she arrives in Lancashire, Ruth discovers that the bones reveal a shocking fact about King Arthur—and that the bones have mysteriously vanished.
The case draws in DCI Nelson, determined to protect Ruth and their eighteen-month-old daughter, Kate. But someone is willing to kill to keep the bones a secret, and it is beginning to look as if no one is safe.
Ruth Galloway uncovers the bones of what might be a notorious Victorian child murderess and a baby snatcher known as "The Childminder" threatens modern-day Norfolk in this irresistible mystery from Elly Griffiths.
The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers’ graves. This year’s proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out—and after a child close to everyone involved disappears, the stakes couldn’t be higher.
“An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.”—Erin Hart, Agatha– and Anthony Award–nominated author of Haunted Ground and Lake of Sorrows
Elly Griffiths’s Ruth Galloway novels have been praised as “gripping” (Louise Penny), “highly atmospheric,” ( New York Times Book Review ), and “must-reads for fans of crime fiction” ( Associated Press ). She is the winner of the 2010 Mary Higgins Clark Award.
Ruth Galloway uncovers the bones of what might be a notorious Victorian child murderess and a baby snatcher known as "The Childminder" threatens modern-day Norfolk in this irresistible mystery from Elly Griffiths.
The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers’ graves. This year’s proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out—and after a child close to everyone involved disappears, the stakes couldn’t be higher.
“An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.”—Erin Hart, Agatha– and Anthony Award–nominated author of Haunted Ground and Lake of Sorrows
Elly Griffiths’s Ruth Galloway novels have been praised as “gripping” (Louise Penny), “highly atmospheric,” ( New York Times Book Review ), and “must-reads for fans of crime fiction” ( Associated Press ). She is the winner of the 2010 Mary Higgins Clark Award.
The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in the seventh Ruth Galloway mystery.
Norfolk is suffering from record summer heat when a construction crew unearths a macabre discovery—a downed World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.
Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger Blackstocks. As production begins, Ruth notices a mysterious man lurking on the outskirts of Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm. Can the team outrace a looming flood to find a killer?
Laced with dry humor and anchored by perennial fan favorite Ruth, The Ghost Fields will delight fans new and old.
The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in the seventh Ruth Galloway mystery.
Norfolk is suffering from record summer heat when a construction crew unearths a macabre discovery—a downed World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.
Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger Blackstocks. As production begins, Ruth notices a mysterious man lurking on the outskirts of Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm. Can the team outrace a looming flood to find a killer?
Laced with dry humor and anchored by perennial fan favorite Ruth, The Ghost Fields will delight fans new and old.
Known as England’s Nazareth, the medieval town of Little Walsingham is famous for religious apparitions. So when Ruth Galloway’s druid friend Cathbad sees a woman in a white dress and a dark blue cloak standing alone in the local cemetery one night, he takes her as a vision of the Virgin Mary. But then a woman wrapped in blue cloth is found dead the next day, and Ruth’s old friend Hilary, an Anglican priest, receives a series of hateful, threatening letters. Could these crimes be connected? When one of Hilary’s fellow female priests is murdered just before Little Walsingham’s annual Good Friday Passion Play, Ruth, Cathbad, and DCI Harry Nelson must team up to find the killer before he strikes again.
Known as England’s Nazareth, the medieval town of Little Walsingham is famous for religious apparitions. So when Ruth Galloway’s druid friend Cathbad sees a woman in a white dress and a dark blue cloak standing alone in the local cemetery one night, he takes her as a vision of the Virgin Mary. But then a woman wrapped in blue cloth is found dead the next day, and Ruth’s old friend Hilary, an Anglican priest, receives a series of hateful, threatening letters. Could these crimes be connected? When one of Hilary’s fellow female priests is murdered just before Little Walsingham’s annual Good Friday Passion Play, Ruth, Cathbad, and DCI Harry Nelson must team up to find the killer before he strikes again.
Far below Norwich is a maze of old mining tunnels. When Ruth Galloway is called to examine a set of human remains in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is looking for a homeless woman who he hears has gone “underground.” Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth and Nelson investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. And when a dead body is found with a map of what seems to be the full maze, they realize their hunt for the killer has only just begun—and that more bodies may be underfoot.
Far below Norwich is a maze of old mining tunnels. When Ruth Galloway is called to examine a set of human remains in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is looking for a homeless woman who he hears has gone “underground.” Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth and Nelson investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. And when a dead body is found with a map of what seems to be the full maze, they realize their hunt for the killer has only just begun—and that more bodies may be underfoot.
In this highly atmospheric mystery, Ruth Galloway—“a captivating amateur sleuth” (Louise Penny)—and DCI Nelson investigate a murder in a medieval Italian town where dark secrets are buried as deep as bones.
It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?
Ruth is just beginning to get her footing in the dig when she’s thrown off-guard by the appearance of DCI Nelson. And when Ruth’s findings lead them to a modern-day murder, their holidays are both turned upside down, and they race to find out what darkness is lurking in this seemingly picturesque town.
In this highly atmospheric mystery, Ruth Galloway—“a captivating amateur sleuth” (Louise Penny)—and DCI Nelson investigate a murder in a medieval Italian town where dark secrets are buried as deep as bones.
It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?
Ruth is just beginning to get her footing in the dig when she’s thrown off-guard by the appearance of DCI Nelson. And when Ruth’s findings lead them to a modern-day murder, their holidays are both turned upside down, and they race to find out what darkness is lurking in this seemingly picturesque town.
In a chilling entry to the award-winning Ruth Galloway series, she and DCI Nelson are haunted by a ghost from their past, just as their future lands on shaky ground.
DCI Nelson has been receiving threatening letters. They are anonymous, yet reminiscent of ones he has received in the past, from the person who drew him into a case that's haunted him for years. At the same time, Ruth receives a letter purporting to be from that very same person--her former mentor, and the reason she first started working with Nelson. But the author of those letters is dead. Or is he?
The past is reaching out for Ruth and Nelson, and its grip is deadly.
In a chilling entry to the award-winning Ruth Galloway series, she and DCI Nelson are haunted by a ghost from their past, just as their future lands on shaky ground.
DCI Nelson has been receiving threatening letters. They are anonymous, yet reminiscent of ones he has received in the past, from the person who drew him into a case that's haunted him for years. At the same time, Ruth receives a letter purporting to be from that very same person--her former mentor, and the reason she first started working with Nelson. But the author of those letters is dead. Or is he?
The past is reaching out for Ruth and Nelson, and its grip is deadly.
Forensic archaeologist Ruth Galloway changed her life—until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.
Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer north Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried—but only if Ruth will do the digging.
Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths.
Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?
Forensic archaeologist Ruth Galloway changed her life—until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.
Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer north Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried—but only if Ruth will do the digging.
Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths.
Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?
From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love.
Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.
There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss.
In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk.
Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in Max Mephisto and the Disappearing Act.
In Justice Jones and the Etherphone, a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London.
A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI.
To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in Flint’s Fireside Tale.
And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile.
The Man in Black illustrates the breadth and variety of Elly Griffiths’s talent for blood-chilling, page-turning stories all with her trademark humor and heart.
From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love.
Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.
There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss.
In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk.
Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in Max Mephisto and the Disappearing Act.
In Justice Jones and the Etherphone, a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London.
A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI.
To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in Flint’s Fireside Tale.
And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile.
The Man in Black illustrates the breadth and variety of Elly Griffiths’s talent for blood-chilling, page-turning stories all with her trademark humor and heart.
Dr Ruth Galloway returns to the moody and beautiful landscape of North Norfolk to confront another killer. A devastating new case for our favourite forensic archaeologist in this acclaimed and bestselling crime series.
The Night Hawks, a group of metal detectorists, are searching for buried treasure when they find a body on the beach in North Norfolk. At first Nelson thinks that the dead man might be an asylum seeker but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons. Nelson at first thinks that Taylor's death is accidental drowning, but a second death suggests murder.
Nelson is called to an apparent murder-suicide of a couple at the isolated Black Dog Farm. Local legend talks of the Black Shuck, a spectral hound that appears to people before they die. Nelson ignores this, even when the owner's suicide note includes the line, 'He's buried in the garden.' Ruth excavates and finds the body of a giant dog.
All roads lead back to this farm in the middle of nowhere, but the place spells serious danger for anyone who goes near. Ruth doesn't scare easily. Not until she finds herself at Black Dog Farm ...
Dr Ruth Galloway returns to the moody and beautiful landscape of North Norfolk to confront another killer. A devastating new case for our favourite forensic archaeologist in this acclaimed and bestselling crime series.
The Night Hawks, a group of metal detectorists, are searching for buried treasure when they find a body on the beach in North Norfolk. At first Nelson thinks that the dead man might be an asylum seeker but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons. Nelson at first thinks that Taylor's death is accidental drowning, but a second death suggests murder.
Nelson is called to an apparent murder-suicide of a couple at the isolated Black Dog Farm. Local legend talks of the Black Shuck, a spectral hound that appears to people before they die. Nelson ignores this, even when the owner's suicide note includes the line, 'He's buried in the garden.' Ruth excavates and finds the body of a giant dog.
All roads lead back to this farm in the middle of nowhere, but the place spells serious danger for anyone who goes near. Ruth doesn't scare easily. Not until she finds herself at Black Dog Farm ...
Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer, in USA Today Elly Griffiths’ penultimate novel in the beloved series. Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious a decades-old photograph of her own Norfolk cottage— before she lived there—with a peculiar inscription on the back. Ruth returns to the cottage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological discovery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth’s isolated cottage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late.
Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer, in USA Today Elly Griffiths’ penultimate novel in the beloved series. Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious a decades-old photograph of her own Norfolk cottage— before she lived there—with a peculiar inscription on the back. Ruth returns to the cottage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological discovery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth’s isolated cottage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late.
The discovery of a missing woman's bones forces Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own.
When builders discover a human skeleton while renovating a café, they call in archaeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern--the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily's Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared--Ruth's friend Cathbad.
As they investigate, Nelson and his team uncover a tangled web of relationships within the archaeology group and look for a link between them and the café where Emily's bones were found. Then, just when the team seem to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?
The discovery of a missing woman's bones forces Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own.
When builders discover a human skeleton while renovating a café, they call in archaeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern--the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily's Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared--Ruth's friend Cathbad.
As they investigate, Nelson and his team uncover a tangled web of relationships within the archaeology group and look for a link between them and the café where Emily's bones were found. Then, just when the team seem to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?