Livres - Bibliographie

n Tamil Nadu, India, a boy is born with blue skin. His father sets up an ashram, and the family makes a living off of the pilgrims who seek the child’s blessings and miracles, believing young Kalki to be the tenth human incarnation of the Hindu god Vishnu. In Kalki’s tenth year, he is confronted with three trials that will test his power and prove his divine status and, his father tells him, spread his fame worldwide. While he seems to pass them, Kalki begins to question his divinity.

Over the next decade, his family unravels, and every relationship he relied on—father, mother, aunt, uncle, cousin—starts falling apart. Traveling from India to the underground rock scene of New York City, Blue-Skinned Gods explores ethnic, gender, and sexual identities, and spans continents and faiths, in an expansive and heartfelt look at the need for belief in our globally interconnected world.

Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.

As the connection between the two women is rekindled, Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And after a decade’s worth of lying, can Lucky break free of her own circumstances and build a new life? Is she willing to walk away from all that she values about her parents and community to live in a new truth? As Lucky—an outsider no matter what choices she makes—is pushed to the breaking point, Marriage of a Thousand Lies offers a vivid exploration of a life lived at a complex intersection of race, sexuality, and nationality. The result is a profoundly American debut novel shot through with humor and loss, a story of love, family, and the truths that define us all.

WINNER OF THE 2016 TURNBUCKLE CHAPBOOK CONTEST

I Once Met You But You Were Dead is a hybrid chapbook of fiction and nonfiction that juxtaposes girlhood, womanhood, and cultural gender politics with war and violence.

DOMINANT GENES, the new hybrid collection from Stonewall Honor author and Lambda Literary Award finalist SJ Sindu, is equal parts power and astonishing beauty, tenderness and shimmering anger, poetry and lyric essays interwoven in a gorgeous exploration of family, heritage, and the construction of nonbinary and queer identities. "We learn our anger through osmosis," Sindu writes of the inherited rage of South Asian women, "or maybe it's in the breast milk, spreading through our veins long before we learn how to look only at the floor and walk without showing our ankles." There is hope in this collection, and the lead weight of expectation, and warm moments of empathy too. Thematically linked and stylistically nimble, Sindu's pieces play with the fragmentary nature of memory and identity, her speakers traversing with intelligence and compassion the complexities of mental health, love, and pressurized relationships with the people closest to us--those who love us intensely, even when they understand us the least. "In SJ Sindu's extraordinary new chapbook, her speaker lives in a *world in which women are punished for their pleasure, rage, and attempts at freedom. Exploring ancient stories, like the Mahabharata, as well as the speaker's own experiences growing up as a queer person in Sri Lanka and the US, DOMINANT GENES pulls at the strings that have stitched together our identities, making clear the social and cultural constraints that limit the freedom of women and gender nonconforming people. With tenderness and compassion toward her family, this smart, unflinching collection envisions a life for the speaker in which she does not inherit misogyny or her mother's idea of progress, a life in which she is the "seed in her own fruit."--Marianne Chan

"SJ Sindu's new book DOMINANT GENES demonstrates the great pleasures and opportunities for surprise there are in hybrid forms. It's what I like best as a prose that understands the compression and vivid language of poetry and poetry that benefits greatly from the fiction maker's sense of scene and story. There's a wonderful lyric intensity here and beautifully nuanced interiority that I find deeply moving. A beautiful book written by an artist who moves fluidly between genres."--Erin Belieu "

"I want to inherit your anger, and use your story to stitch my two selves back together,' writes SJ Sindu in this hybrid collection, poems and lyric essays weaving together the fragments of a life bifurcated across racial, familial, and queer identities. Blurring both genre and gender, Sindu questions descendancy, dominant genes something to unspool, silence something to unstitch, rage a means of survival. Yet as this collection undoes Sri Lankan matrilineal expectation, pulling at the faithless thread of what it means to inherit a story that does not serve you, it spins a richer myth of legacy and self, one that pierces like a needle."--Sarah Fawn Montgomery Poetry. Fiction.

A fierce, feminist, and fun middle grade fantasy graphic novel about a twelve-year-old Indian American girl named Shakti who must learn the power of her ancestral magic if she wants to save her family and town from a dangerous curse. Written by Stonewall Honor Book recipient and Lambda Literary Fellow SJ Sindu and illustrated by Nabi H. Ali. Shakti is used to being the new girl at school. She and her two moms have moved more times than she can count. With her unborn baby brother on the way, Shakti hopes her family has found their forever home in Amherst, Massachusetts, and that she can finally make friends. On her first day of seventh grade, she meets Xi and they bond over their shared passion for manga (and pizza with mayo). But the three meanest girls in school—Harini, Emily, and Kelly (aka “HEK”)—are determined to make life miserable for Shakti and her new friends. When Shakti and Xi discover HEK casting spells in the woods, they fear what might happen to the other kids at school. Drawing on ancient Indian magic, Shakti seeks the aid of Durga Ma to stop HEK. But instead, Shakti accidentally conjures Kali Ma, the destroyer—Durga Ma's dangerous twin. Kali Ma punishes HEK by transforming them into monsters and curses the entire town. As more and more people begin to fall ill, including Shakti’s mom, will Shakti be able to harness her own strength, power, and empathy to save those she loves—and put an end to all the hate?