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On a transatlantic cruise to New York, sculptor Rhys Matherton struggles to piece his life back together after losing his mother, inheriting a fortune, and finding out his father isn't his father after all. He spills a tray of drinks on a handsome stranger, then he finds himself up against a wall getting the best hand-job he's ever had. And for the first time in his life, he feels whole.
Rhys enjoys the company of Silas Quint, but for the eerie way no one pays attention to them even while they kiss in a crowded bar. Silas explains he's a forest fae able to glamour the room around them--and more importantly, that he's on the cruise to hunt vampires. Rhys thinks Silas is full of it, until he discovers vampires are real, and he's part of their main course.
Silas Quint can't be distracted by a human lover, even one as lovely as Rhys. Stuck in the middle of the ocean, he has barely enough energy to hunt the vampires he's been sent to destroy. Rhys is full of the one thing Silas needs most--the element of living plants. Only sucking energy from Rhys would make Silas as soulless as the creatures he hunts. How can he keep Rhys safe, without becoming like the very monsters he hunts?
Description
On a transatlantic cruise to New York, sculptor Rhys Matherton struggles to piece his life back together after losing his mother, inheriting a fortune, and finding out his father isn't his father after all. He spills a tray of drinks on a handsome stranger, then he finds himself up against a wall getting the best hand-job he's ever had. And for the first time in his life, he feels whole.
Rhys enjoys the company of Silas Quint, but for the eerie way no one pays attention to them even while they kiss in a crowded bar. Silas explains he's a forest fae able to glamour the room around them--and more importantly, that he's on the cruise to hunt vampires. Rhys thinks Silas is full of it, until he discovers vampires are real, and he's part of their main course.
Silas Quint can't be distracted by a human lover, even one as lovely as Rhys. Stuck in the middle of the ocean, he has barely enough energy to hunt the vampires he's been sent to destroy. Rhys is full of the one thing Silas needs most--the element of living plants. Only sucking energy from Rhys would make Silas as soulless as the creatures he hunts. How can he keep Rhys safe, without becoming like the very monsters he hunts?
New lovers Rhys Matherton and Silas Quint finally have a chance to breath easy and enjoy a well-earned respite on board a transatlantic cruise to New York City. But the lack of danger gives Rhys too much time to think about the enormity of falling in love with a man who isn’t human. He’s not sure love at first sight can last, especially when your lover is fae. Sure, the sex is fantastic, but that’s not enough to hang the rest of your potentially immortal life upon.
To distract himself, Rhys suggests he and Silas take a set of lessons to learn to waltz. The plan backfires when they are paired with two older women—one of whom reminds Rhys of his recently deceased mother. Instead of being able to ignore thinking about his future with Silas, he’s actively questioned about his lover. And it seems the whole boat knows who he’s sleeping with.
As Rhys learns the steps of the waltz, he has to decide if he’ll continue to dance around what he feels for Silas or if he’ll finally learn to trust in his partner’s love for him.
Sequel to Close Quarter
Description
New lovers Rhys Matherton and Silas Quint finally have a chance to breath easy and enjoy a well-earned respite on board a transatlantic cruise to New York City. But the lack of danger gives Rhys too much time to think about the enormity of falling in love with a man who isn’t human. He’s not sure love at first sight can last, especially when your lover is fae. Sure, the sex is fantastic, but that’s not enough to hang the rest of your potentially immortal life upon.
To distract himself, Rhys suggests he and Silas take a set of lessons to learn to waltz. The plan backfires when they are paired with two older women—one of whom reminds Rhys of his recently deceased mother. Instead of being able to ignore thinking about his future with Silas, he’s actively questioned about his lover. And it seems the whole boat knows who he’s sleeping with.
As Rhys learns the steps of the waltz, he has to decide if he’ll continue to dance around what he feels for Silas or if he’ll finally learn to trust in his partner’s love for him.
Sequel to Close Quarter
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