Livres - Bibliographie

When falling in love is the punchline…

Farley Jones is a loud, chaotic, and hilariously clever standup comedian on the way to stardom. The only thing she loves more than the rush of telling jokes in front of a revved-up audience is her hot older manager Meyer, though he doesn’t have a clue. Keeping her feelings hidden from him is agony (a tragedy, even―in lieu of flowers, please send cash...) but Meyer has been Farley’s closest and most treasured friend, not to mention vital to the trajectory of her career. She can’t risk ruining their relationship by telling him how she truly feels. After all, who else would have the patience to put up with a hot mess like her?

A former standup star himself, single father Meyer Harrigan left the stage years ago in order to focus on raising his deaf daughter Hazel. Farley has been everything to them since she came into their lives three years ago, and despite his grumpiness, his protectiveness over Hazel, and his disdain for public attention, Meyer will do anything to make her standup dreams come true.

When the biggest opportunity of Farley’s career comes along and forces the pair to fake-date in order to stir up publicity, it doesn't take long for their act to bring all those other funny feelings out into the open. Like most matters of the heart, it quickly begins to feel like anything but a joke.

They say love and construction don't mix.

By that logic, hate and construction may as well be condemned.

LaRynn Lavigne and Deacon Leeds had one short and contentious summer fling when they were teens.

Certainly nothing to build a foundation on.

But a decade later, when their grandmothers have left them with shared ownership of their dilapidated Santa Cruz building, they're thrust back together and have to figure out how to brace up the pieces.

LaRynn has the money, but to access her trust, she has to be married.

Deacon has the construction expertise, but lacks the funds.

A deal is struck: Marry for however long it takes to fix up the property, collect a profit, and cut ties.

Thrust into a home without walls, they quickly learn that it's easy to hide behind emotional ones, even in a marriage. But, with all the exposure and pitfalls that come with living with the opposite sex (and none of the perks) they'll also have to learn what it means to truly co-operate as a team.

The Co-op is a steamy story about restoration and renovation, and uncovering all the things that build character within ourselves. It's about the never-ending construction project that partnership is, and finding enjoyment at every stage.

Summer won't last forever.

Sage Byrd has lived in the coastal town of Spunes, Oregon (not to be confused with Forks, Washington) her entire life. She's learned to love her small world, with the misfit animals on her hobby farm, and her friendships with the town’s inhabitants. But when her 5-year relationship ends and her ex, town-golden-boy Ian, suddenly gets engaged, Sage needs a win―something that will convince everyone to stop pitying her all the time, and to put Ian in his place. The Festival of Spunes, the town’s annual summer competition, would be the perfect opportunity. She just needs a partner.

Fisher Lange was a hotshot chef in New York City until the loss of his sister left him numb, grieving, and responsible for his teenage niece Indy. When Fisher loses his Michelin star along with his love of cooking, his boss sends him and Indy to Spunes on a much-needed summer sabbatical to consult on a restaurant opening. But when clashes with the townspeople threaten his last chance to redeem himself and a kiss with his new neighbor Sage leads to dating rumors, a strategic alliance might just be the best way to turn things around.

A deal is struck. Sage will improve Fisher’s image in the eyes of the town and remove the roadblocks he is facing with the restaurant, and Fisher will be Sage’s partner for the competition. But as their pact quickly turns into steamy rendezvous, emotional wounds begin to heal, and the pair tries to savor every moment, they start to realize that summer is racing by much faster than they would like...

Filled with spicy summer fun, small-town charm, and Big Feelings, this highly anticipated romcom is Tarah DeWitt’s best yet.

In Rootbound, Funny Feelings, and in The Co-op, we get to see pieces of these characters' pasts, along with glimpses of their futures. This is a book about their Christmas presents; each taking place the year following "The End."

In Idaho, Tait and Henry make a last minute change of plans for the holiday, and scramble to get into the spirit. In LA, Meyer and Farley watch Hazel perform in the Nutcracker, and reflect on some of the meaning behind one of the season's traditions. Over in Santa Cruz, Deacon and LaRynn are finally slowing down after a year of new beginnings.

These small stories were written as a humble thank you to everyone who has supported these books in the last year, and who has fallen in love with these characters as much as I have. I hope your holidays are all filled with reflection on the past, hope for the future, and most of all; joy for the present.

You really can't go home again.

Tait Logan is proud of the life she's built for herself. Despite her world-shattering divorce, not having any genuine connections with other humans apart from her sister Ava, and the fact that the remainder of her family is estranged from her life, she's happy . . . happy-adjacent, at least. She's rebuilt herself through her photography; her dream career, the one thing she does still have. When that career contracts her to do an assignment on her estranged family's home, Logan Range - a now famous ranch functioning as the setting for a popular TV show - she's left with no choice but to agree. It's only a six-week assignment, after all. She has no plans to set down roots, or get to know the family that, seemingly, has had no interest in a relationship with her since her parents' divorce when she was seven.

Henry Marcum is a cowboy who has dedicated his life to the Logan family and to their ranch. He owes them for raising him, rescuing him, and giving him purpose . . . He also owes them for every hardship he's inadvertently brought their way. So, when Tait Logan shows up after 20 years of near total silence, he takes it upon himself to protect the people he knows and loves.

It's a rocky start when Tait and Henry first collide; he is naturally wary of her intentions, and she is more than perturbed by their literal collision - which results in her broken camera, during her first night on location, no less. But as the pair get to know each other better, they're thrown off balance time and time again by their growing feelings, and by the story of the Logan family as it becomes increasingly less clear from their perspectives.